Browse adornments from Te Papa collections – art, history, taonga Māori, and Pacific cultures.
Exploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
This expansive and unmissable exhibition explores the fundamental role whenua plays in the visual language and identity of Aotearoa. Acknowledging Māori as takata whenua, the first peoples to call this land home, themes of kaitiakitaka, colonisation, environmentalism, land use, migration, identity and belonging are considered through collection works, new acquisitions and exciting commissions.
The Festival of Pacific Arts and Culture (FestPAC) is the premier Indigenous arts and culture event in Te Moana Nui a Kiwa. The festival brings together over 2,500 artists and practitioners, representing 28 countries and territories from the Pacific.
In June 2024, a delegation from Aotearoa New Zealand participated in the 13th FestPAC in Honolulu, Hawai‘i. Together, the artists presented the exhibition Taku Hoe, using the theme of voyaging to celebrate connections between people across Te Moana Nui a Kiwa (the Pacific Ocean). Pātaka is pleased to re-present a selection of work from Taku Hoe back in Aotearoa, where the ongoing connections between Aotearoa and our region are reaffirmed and celebrated.
This generous opening programme features over 200 artworks, spanning four centuries of European and New Zealand art history. Displayed across the breadth of the gallery’s newly expanded exhibition spaces, works will range from traditional gilt-framed paintings to contemporary practice in a variety of media.
Nō Konei | From Here includes pieces that reflect the breadth of the diverse and nationally significant Collection of Te Whare o Rehua Sarjeant Gallery, alongside newly commissioned works by artists with a strong connection to the region. 105 years since the gallery first opened and, after a ten year hiatus from operation at Pukenamu Queen’s Park.
Seventy artists, collectives and projects from more than 30 countries will feature in the eleventh chapter of the flagship Queensland Art Gallery | Gallery of Modern Art (QAGOMA) exhibition series, the Asia Pacific Triennial of Contemporary Art.
Bringing compelling new art to Brisbane, the Triennial is a gateway to the rapidly evolving artistic expression of Australia, Asia and the Pacific. Alongside artists and makers whose work has not been previously seen in Australia are a raft of new co-curated projects investigating artforms and cultural contexts rarely encountered outside their home localities.
Made from 5000 balls of brightly-coloured yarn and crotcheted by hand, this full size wharenui (Māori meeting house) has been wowing audiences across Aotearoa. Now Christchurch audiences can experience this unique fusion of traditional whakairo (carving) patterns and neon wool.
Artists Lissy and Rudi Robinson-Cole spent three years making Wharenui Harikoa, which translates to ‘House of Joy’. The monumental task of creating this neon-coloured wharenui began with a simple crochet hook and a clutch of eye-catching yarn.
For Lissy and Rudi it is more than just an art installation – it's a manifestation of their dreams, identity, and the love they have for each other and their people.
“This project is a tribute to our tūpuna (ancestors), a celebration of our culture, and a testament to the healing power of art.
“The wharenui embodies our vision of manifesting intergenerational healing and deeply felt joy.
“We aim to connect cultures, heal hearts, and spread joy – one loop, one stitch, one community at a time.”
Toka Tū, a person of strength in times of adversity. The artists whose works adorn the walls of Wairau Māori Art Gallery have been at the forefront of moulding a new aesthetic that integrates the deep visual traditions of Te Ao Māori with a colour palette of mediums and current issues and narratives that are descriptive of our contemporary world.
They have pushed boundaries and navigated challenges from the mainstream artworld and traversed new ground from traditionalist Māori artforms that bind their mahi to the whenua to illustrate a rich cultural landscape that is Aotearoa.Ngā iwi o te Taitokerau are transient navigators, descended from explorers and fierce home people who extend manaakitanga with open arms to those who enter our spaces.
Image : Alex Nathan, 2000, Silver
Consider the works in this exhibition as experiments in portraiture. In their decades-long practices, Lubaina Himid and Michael Parekōwhai have scrutinised their respective socio-political contexts to explore the possibilities of identification and misrecognition. In their wide-ranging work, both artists have grappled with identity and how the languages of visual art can play an essential role in enlarging societal conversation on participation and representation.
We’re so excited to bring you Toi Māori, a powerful celebration of contemporary Māori art featuring 11 incredible artists from across Aotearoa. Their works share stories, challenge perspectives, and honour traditions in a modern world.
This new large-scale work on the Gallery’s Big Wall is led by the ancestral narratives of Tokohurunuku, Tokohururangi, Tokohurumawake and Tokohuruatea, the four winds, or the pillars of the sky. Inspired by the dynamic visual language of hukahuka whakarākei, the adornments of customary kākahu, this installation is being developed as part of the Dunedin Public Art Gallery Aotearoa Visiting Artist programme, supported by Creative New Zealand Toi Aotearoa.
A Māori artist collective re-indigenises the customary artform of taonga puoro (Māori musical instruments) through the contemporary lens of their respective art practices—whakairo (carving), uku (clay), print media, and videography.
In collaboration with the Australian Design Centre and the Dowse Art Museum in New Zealand, we are presenting the work of artists from New Zealand, the Pacific Islands and Australia.
In our selection, we make cross-cultural references to design themes and techniques. The aim is to understand jewellery as a compact form of expression in which all aspects of our lives are bundled together. We recognize familiar motifs from supposedly foreign cultures and practice for the preservation and promotion of peaceful exchange, especially in today’s times.
Toi Koru presents the first major survey exhibition of paintings by the Māori master of colour and kōwhaiwhai, Dr Sandy Adsett.Featuring paintings created over six decades, Toi Koru tracks the trajectory of Adsett’s painting practice from the late 1960s to today. The exhibition features artworks from major public collections, including the National Museum of New Zealand Te Papa Tongarewa, as well as a new series of paintings created especially for the exhibition.
Developed and toured by Pātaka Art + Museum.
Hemi Macgregor draws on geometric structures, patterns and processes in the natural world to explore our relationship with sky, water, earth and seasons.
Image: Mataura 44 photographed by Cheska Brown
According to Māori tradition, Papatūānuku is the Earth Mother, from which all living things are created. In this concert we celebrate nature with Papatūānuku, a work co-created by Kiwi composer Salina Fisher and Grammy Award-winning taonga puoro artist Jerome Kavanagh.
Aotearoa’s annual three-day celebration of contemporary print culture and community.
According to Māori tradition, Papatūānuku is the Earth Mother, from which all living things are created. In this concert we celebrate nature with Papatūānuku, a work co-created by Kiwi composer Salina Fisher and Grammy Award-winning taonga puoro artist Jerome Kavanagh.
According to Māori tradition, Papatūānuku is the Earth Mother, from which all living things are created. In this concert we celebrate nature with Papatūānuku, a work co-created by Kiwi composer Salina Fisher and Grammy Award-winning taonga puoro artist Jerome Kavanagh.
Browse adornments from Te Papa collections – art, history, taonga Māori, and Pacific cultures.
Exploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
This expansive and unmissable exhibition explores the fundamental role whenua plays in the visual language and identity of Aotearoa. Acknowledging Māori as takata whenua, the first peoples to call this land home, themes of kaitiakitaka, colonisation, environmentalism, land use, migration, identity and belonging are considered through collection works, new acquisitions and exciting commissions.
The Festival of Pacific Arts and Culture (FestPAC) is the premier Indigenous arts and culture event in Te Moana Nui a Kiwa. The festival brings together over 2,500 artists and practitioners, representing 28 countries and territories from the Pacific.
In June 2024, a delegation from Aotearoa New Zealand participated in the 13th FestPAC in Honolulu, Hawai‘i. Together, the artists presented the exhibition Taku Hoe, using the theme of voyaging to celebrate connections between people across Te Moana Nui a Kiwa (the Pacific Ocean). Pātaka is pleased to re-present a selection of work from Taku Hoe back in Aotearoa, where the ongoing connections between Aotearoa and our region are reaffirmed and celebrated.
This generous opening programme features over 200 artworks, spanning four centuries of European and New Zealand art history. Displayed across the breadth of the gallery’s newly expanded exhibition spaces, works will range from traditional gilt-framed paintings to contemporary practice in a variety of media.
Nō Konei | From Here includes pieces that reflect the breadth of the diverse and nationally significant Collection of Te Whare o Rehua Sarjeant Gallery, alongside newly commissioned works by artists with a strong connection to the region. 105 years since the gallery first opened and, after a ten year hiatus from operation at Pukenamu Queen’s Park.
Seventy artists, collectives and projects from more than 30 countries will feature in the eleventh chapter of the flagship Queensland Art Gallery | Gallery of Modern Art (QAGOMA) exhibition series, the Asia Pacific Triennial of Contemporary Art.
Bringing compelling new art to Brisbane, the Triennial is a gateway to the rapidly evolving artistic expression of Australia, Asia and the Pacific. Alongside artists and makers whose work has not been previously seen in Australia are a raft of new co-curated projects investigating artforms and cultural contexts rarely encountered outside their home localities.
Made from 5000 balls of brightly-coloured yarn and crotcheted by hand, this full size wharenui (Māori meeting house) has been wowing audiences across Aotearoa. Now Christchurch audiences can experience this unique fusion of traditional whakairo (carving) patterns and neon wool.
Artists Lissy and Rudi Robinson-Cole spent three years making Wharenui Harikoa, which translates to ‘House of Joy’. The monumental task of creating this neon-coloured wharenui began with a simple crochet hook and a clutch of eye-catching yarn.
For Lissy and Rudi it is more than just an art installation – it's a manifestation of their dreams, identity, and the love they have for each other and their people.
“This project is a tribute to our tūpuna (ancestors), a celebration of our culture, and a testament to the healing power of art.
“The wharenui embodies our vision of manifesting intergenerational healing and deeply felt joy.
“We aim to connect cultures, heal hearts, and spread joy – one loop, one stitch, one community at a time.”
Toka Tū, a person of strength in times of adversity. The artists whose works adorn the walls of Wairau Māori Art Gallery have been at the forefront of moulding a new aesthetic that integrates the deep visual traditions of Te Ao Māori with a colour palette of mediums and current issues and narratives that are descriptive of our contemporary world.
They have pushed boundaries and navigated challenges from the mainstream artworld and traversed new ground from traditionalist Māori artforms that bind their mahi to the whenua to illustrate a rich cultural landscape that is Aotearoa.Ngā iwi o te Taitokerau are transient navigators, descended from explorers and fierce home people who extend manaakitanga with open arms to those who enter our spaces.
Image : Alex Nathan, 2000, Silver
Consider the works in this exhibition as experiments in portraiture. In their decades-long practices, Lubaina Himid and Michael Parekōwhai have scrutinised their respective socio-political contexts to explore the possibilities of identification and misrecognition. In their wide-ranging work, both artists have grappled with identity and how the languages of visual art can play an essential role in enlarging societal conversation on participation and representation.
We’re so excited to bring you Toi Māori, a powerful celebration of contemporary Māori art featuring 11 incredible artists from across Aotearoa. Their works share stories, challenge perspectives, and honour traditions in a modern world.
This new large-scale work on the Gallery’s Big Wall is led by the ancestral narratives of Tokohurunuku, Tokohururangi, Tokohurumawake and Tokohuruatea, the four winds, or the pillars of the sky. Inspired by the dynamic visual language of hukahuka whakarākei, the adornments of customary kākahu, this installation is being developed as part of the Dunedin Public Art Gallery Aotearoa Visiting Artist programme, supported by Creative New Zealand Toi Aotearoa.
A Māori artist collective re-indigenises the customary artform of taonga puoro (Māori musical instruments) through the contemporary lens of their respective art practices—whakairo (carving), uku (clay), print media, and videography.
In collaboration with the Australian Design Centre and the Dowse Art Museum in New Zealand, we are presenting the work of artists from New Zealand, the Pacific Islands and Australia.
In our selection, we make cross-cultural references to design themes and techniques. The aim is to understand jewellery as a compact form of expression in which all aspects of our lives are bundled together. We recognize familiar motifs from supposedly foreign cultures and practice for the preservation and promotion of peaceful exchange, especially in today’s times.
Toi Koru presents the first major survey exhibition of paintings by the Māori master of colour and kōwhaiwhai, Dr Sandy Adsett.Featuring paintings created over six decades, Toi Koru tracks the trajectory of Adsett’s painting practice from the late 1960s to today. The exhibition features artworks from major public collections, including the National Museum of New Zealand Te Papa Tongarewa, as well as a new series of paintings created especially for the exhibition.
Developed and toured by Pātaka Art + Museum.
Hemi Macgregor draws on geometric structures, patterns and processes in the natural world to explore our relationship with sky, water, earth and seasons.
Image: Mataura 44 photographed by Cheska Brown
According to Māori tradition, Papatūānuku is the Earth Mother, from which all living things are created. In this concert we celebrate nature with Papatūānuku, a work co-created by Kiwi composer Salina Fisher and Grammy Award-winning taonga puoro artist Jerome Kavanagh.
Aotearoa’s annual three-day celebration of contemporary print culture and community.
According to Māori tradition, Papatūānuku is the Earth Mother, from which all living things are created. In this concert we celebrate nature with Papatūānuku, a work co-created by Kiwi composer Salina Fisher and Grammy Award-winning taonga puoro artist Jerome Kavanagh.
According to Māori tradition, Papatūānuku is the Earth Mother, from which all living things are created. In this concert we celebrate nature with Papatūānuku, a work co-created by Kiwi composer Salina Fisher and Grammy Award-winning taonga puoro artist Jerome Kavanagh.
Browse adornments from Te Papa collections – art, history, taonga Māori, and Pacific cultures.
Exploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
This expansive and unmissable exhibition explores the fundamental role whenua plays in the visual language and identity of Aotearoa. Acknowledging Māori as takata whenua, the first peoples to call this land home, themes of kaitiakitaka, colonisation, environmentalism, land use, migration, identity and belonging are considered through collection works, new acquisitions and exciting commissions.
The Festival of Pacific Arts and Culture (FestPAC) is the premier Indigenous arts and culture event in Te Moana Nui a Kiwa. The festival brings together over 2,500 artists and practitioners, representing 28 countries and territories from the Pacific.
In June 2024, a delegation from Aotearoa New Zealand participated in the 13th FestPAC in Honolulu, Hawai‘i. Together, the artists presented the exhibition Taku Hoe, using the theme of voyaging to celebrate connections between people across Te Moana Nui a Kiwa (the Pacific Ocean). Pātaka is pleased to re-present a selection of work from Taku Hoe back in Aotearoa, where the ongoing connections between Aotearoa and our region are reaffirmed and celebrated.
This generous opening programme features over 200 artworks, spanning four centuries of European and New Zealand art history. Displayed across the breadth of the gallery’s newly expanded exhibition spaces, works will range from traditional gilt-framed paintings to contemporary practice in a variety of media.
Nō Konei | From Here includes pieces that reflect the breadth of the diverse and nationally significant Collection of Te Whare o Rehua Sarjeant Gallery, alongside newly commissioned works by artists with a strong connection to the region. 105 years since the gallery first opened and, after a ten year hiatus from operation at Pukenamu Queen’s Park.
Seventy artists, collectives and projects from more than 30 countries will feature in the eleventh chapter of the flagship Queensland Art Gallery | Gallery of Modern Art (QAGOMA) exhibition series, the Asia Pacific Triennial of Contemporary Art.
Bringing compelling new art to Brisbane, the Triennial is a gateway to the rapidly evolving artistic expression of Australia, Asia and the Pacific. Alongside artists and makers whose work has not been previously seen in Australia are a raft of new co-curated projects investigating artforms and cultural contexts rarely encountered outside their home localities.
Made from 5000 balls of brightly-coloured yarn and crotcheted by hand, this full size wharenui (Māori meeting house) has been wowing audiences across Aotearoa. Now Christchurch audiences can experience this unique fusion of traditional whakairo (carving) patterns and neon wool.
Artists Lissy and Rudi Robinson-Cole spent three years making Wharenui Harikoa, which translates to ‘House of Joy’. The monumental task of creating this neon-coloured wharenui began with a simple crochet hook and a clutch of eye-catching yarn.
For Lissy and Rudi it is more than just an art installation – it's a manifestation of their dreams, identity, and the love they have for each other and their people.
“This project is a tribute to our tūpuna (ancestors), a celebration of our culture, and a testament to the healing power of art.
“The wharenui embodies our vision of manifesting intergenerational healing and deeply felt joy.
“We aim to connect cultures, heal hearts, and spread joy – one loop, one stitch, one community at a time.”
Toka Tū, a person of strength in times of adversity. The artists whose works adorn the walls of Wairau Māori Art Gallery have been at the forefront of moulding a new aesthetic that integrates the deep visual traditions of Te Ao Māori with a colour palette of mediums and current issues and narratives that are descriptive of our contemporary world.
They have pushed boundaries and navigated challenges from the mainstream artworld and traversed new ground from traditionalist Māori artforms that bind their mahi to the whenua to illustrate a rich cultural landscape that is Aotearoa.Ngā iwi o te Taitokerau are transient navigators, descended from explorers and fierce home people who extend manaakitanga with open arms to those who enter our spaces.
Image : Alex Nathan, 2000, Silver
Consider the works in this exhibition as experiments in portraiture. In their decades-long practices, Lubaina Himid and Michael Parekōwhai have scrutinised their respective socio-political contexts to explore the possibilities of identification and misrecognition. In their wide-ranging work, both artists have grappled with identity and how the languages of visual art can play an essential role in enlarging societal conversation on participation and representation.
We’re so excited to bring you Toi Māori, a powerful celebration of contemporary Māori art featuring 11 incredible artists from across Aotearoa. Their works share stories, challenge perspectives, and honour traditions in a modern world.
This new large-scale work on the Gallery’s Big Wall is led by the ancestral narratives of Tokohurunuku, Tokohururangi, Tokohurumawake and Tokohuruatea, the four winds, or the pillars of the sky. Inspired by the dynamic visual language of hukahuka whakarākei, the adornments of customary kākahu, this installation is being developed as part of the Dunedin Public Art Gallery Aotearoa Visiting Artist programme, supported by Creative New Zealand Toi Aotearoa.
A Māori artist collective re-indigenises the customary artform of taonga puoro (Māori musical instruments) through the contemporary lens of their respective art practices—whakairo (carving), uku (clay), print media, and videography.
In collaboration with the Australian Design Centre and the Dowse Art Museum in New Zealand, we are presenting the work of artists from New Zealand, the Pacific Islands and Australia.
In our selection, we make cross-cultural references to design themes and techniques. The aim is to understand jewellery as a compact form of expression in which all aspects of our lives are bundled together. We recognize familiar motifs from supposedly foreign cultures and practice for the preservation and promotion of peaceful exchange, especially in today’s times.
Toi Koru presents the first major survey exhibition of paintings by the Māori master of colour and kōwhaiwhai, Dr Sandy Adsett.Featuring paintings created over six decades, Toi Koru tracks the trajectory of Adsett’s painting practice from the late 1960s to today. The exhibition features artworks from major public collections, including the National Museum of New Zealand Te Papa Tongarewa, as well as a new series of paintings created especially for the exhibition.
Developed and toured by Pātaka Art + Museum.
Hemi Macgregor draws on geometric structures, patterns and processes in the natural world to explore our relationship with sky, water, earth and seasons.
Image: Mataura 44 photographed by Cheska Brown
According to Māori tradition, Papatūānuku is the Earth Mother, from which all living things are created. In this concert we celebrate nature with Papatūānuku, a work co-created by Kiwi composer Salina Fisher and Grammy Award-winning taonga puoro artist Jerome Kavanagh.
Aotearoa’s annual three-day celebration of contemporary print culture and community.
According to Māori tradition, Papatūānuku is the Earth Mother, from which all living things are created. In this concert we celebrate nature with Papatūānuku, a work co-created by Kiwi composer Salina Fisher and Grammy Award-winning taonga puoro artist Jerome Kavanagh.
According to Māori tradition, Papatūānuku is the Earth Mother, from which all living things are created. In this concert we celebrate nature with Papatūānuku, a work co-created by Kiwi composer Salina Fisher and Grammy Award-winning taonga puoro artist Jerome Kavanagh.
Join Toi Iho, empowering creative Māori expression and fostering cultural resurgence.