Modern Women: Flight of TimeModern Women: Flight of Time highlights the leading role women artists have played in shaping the development of modern art in Aotearoa New Zealand through seizing control of their own representation.
Spanning a period of roughly 50 years, from 1920 to 1970, the exhibition mixes paintings, prints, sculptures, and textiles from public and private collections across Aotearoa New Zealand, to reveal new connections between artists, along with previously hidden themes, while revelling in the theatre of modern art.
He Kapuka Oneone – A Handful of SoilExploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
This expansive and unmissable exhibition explores the fundamental role whenua plays in the visual language and identity of Aotearoa. Acknowledging Māori as takata whenua, the first peoples to call this land home, themes of kaitiakitaka, colonisation, environmentalism, land use, migration, identity and belonging are considered through collection works, new acquisitions and exciting commissions.
Toi KoruToi Koru presents the first major survey exhibition of paintings by the Māori master of colour and kōwhaiwhai, Dr Sandy Adsett.Featuring paintings created over six decades, Toi Koru tracks the trajectory of Adsett’s painting practice from the late 1960s to today. The exhibition features artworks from major public collections, including the National Museum of New Zealand Te Papa Tongarewa, as well as a new series of paintings created especially for the exhibition.
Developed and toured by Pātaka Art + Museum.
RangiruaRangirua presents two takes on the two-person exhibition. The show features two artist pairings, bringing together works by Neke Moa and Rowan Panther, as well as Gabrielle Amodeo and Martin Thompson
Taku HoeThe Festival of Pacific Arts and Culture (FestPAC) is the premier Indigenous arts and culture event in Te Moana Nui a Kiwa. The festival brings together over 2,500 artists and practitioners, representing 28 countries and territories from the Pacific.
In June 2024, a delegation from Aotearoa New Zealand participated in the 13th FestPAC in Honolulu, Hawai‘i. Together, the artists presented the exhibition Taku Hoe, using the theme of voyaging to celebrate connections between people across Te Moana Nui a Kiwa (the Pacific Ocean). Pātaka is pleased to re-present a selection of work from Taku Hoe back in Aotearoa, where the ongoing connections between Aotearoa and our region are reaffirmed and celebrated.
Whenua Whatu: Māori Ceramics from The Dowse CollectionThis exhibition highlights a selection of uku (clay) works in the Dowse collection by nine Māori artists; Paerau Corneal, Davina Duke, Stevei Houkāmau, Tracy Keith, Manos Nathan, Hana Rakena, Baye Riddell, Aaron Scythe, and Wi Taepa.
The title Whenua Whatu describes the weaving together of connections and whakapapa (lineage) that is such an integral element of toi Māori (Māori arts). From its grounding as a movement in the mid-1980s with the establishment of Ngā Kaihanga Uku - Māori Clay Artist Collective, uku practice has continued to grow and evolve over the intervening decades reflecting the changing social, cultural and political environment of Aotearoa.
Nō Konei | From HereThis generous opening programme features over 200 artworks, spanning four centuries of European and New Zealand art history. Displayed across the breadth of the gallery’s newly expanded exhibition spaces, works will range from traditional gilt-framed paintings to contemporary practice in a variety of media.
Nō Konei | From Here includes pieces that reflect the breadth of the diverse and nationally significant Collection of Te Whare o Rehua Sarjeant Gallery, alongside newly commissioned works by artists with a strong connection to the region. 105 years since the gallery first opened and, after a ten year hiatus from operation at Pukenamu Queen’s Park.
Portage Ceramic Awards 2024The Portage Ceramic Awards is Aotearoa’s best-known annual survey of contemporary ceramics. The exhibition of finalist works provides a vital platform for showcasing the diversity of contemporary clay practices in this country.
He Pānui: Te Ara HihikoOperating at the intersections of art, design, architecture and craft, Te Ara Hihiko “the creative pathway” is the work of Jacob Scott (Ngāti Raukawa, Te Arawa, Ngāti Kahungunu, Te Āti Awa) and Jason Kendrick. This exhibition explores knowledge, past practices, and ways of doing things, to solve problems and find answers activating the creative spirit.
📸Te Ara Hihiko Projects, Tuakana - Teina, 2024. Photo: Courtesy of the artists.
The 11th Asia Pacific Triennial of Contemporary ArtSeventy artists, collectives and projects from more than 30 countries will feature in the eleventh chapter of the flagship Queensland Art Gallery | Gallery of Modern Art (QAGOMA) exhibition series, the Asia Pacific Triennial of Contemporary Art.
Bringing compelling new art to Brisbane, the Triennial is a gateway to the rapidly evolving artistic expression of Australia, Asia and the Pacific. Alongside artists and makers whose work has not been previously seen in Australia are a raft of new co-curated projects investigating artforms and cultural contexts rarely encountered outside their home localities.
Wharenui Harikoa Made from 5000 balls of brightly-coloured yarn and crotcheted by hand, this full size wharenui (Māori meeting house) has been wowing audiences across Aotearoa. Now Christchurch audiences can experience this unique fusion of traditional whakairo (carving) patterns and neon wool.
Artists Lissy and Rudi Robinson-Cole spent three years making Wharenui Harikoa, which translates to ‘House of Joy’. The monumental task of creating this neon-coloured wharenui began with a simple crochet hook and a clutch of eye-catching yarn.
For Lissy and Rudi it is more than just an art installation – it's a manifestation of their dreams, identity, and the love they have for each other and their people.
“This project is a tribute to our tūpuna (ancestors), a celebration of our culture, and a testament to the healing power of art.
“The wharenui embodies our vision of manifesting intergenerational healing and deeply felt joy.
“We aim to connect cultures, heal hearts, and spread joy – one loop, one stitch, one community at a time.”
Toka TūToka Tū, a person of strength in times of adversity. The artists whose works adorn the walls of Wairau Māori Art Gallery have been at the forefront of moulding a new aesthetic that integrates the deep visual traditions of Te Ao Māori with a colour palette of mediums and current issues and narratives that are descriptive of our contemporary world.
They have pushed boundaries and navigated challenges from the mainstream artworld and traversed new ground from traditionalist Māori artforms that bind their mahi to the whenua to illustrate a rich cultural landscape that is Aotearoa.Ngā iwi o te Taitokerau are transient navigators, descended from explorers and fierce home people who extend manaakitanga with open arms to those who enter our spaces.
Image : Alex Nathan, 2000, Silver
The Charge That Binds The Charge That Binds presents recent artworks by Australian and international artists, alongside several key new commissions, traversing a broad range of mediums including painting, sculpture, moving image, sound and choreography. This lively assembly of practices celebrates and cultivates interdependency and reciprocity across difference in both a poetic and pragmatic register.
Turumeke HarringtonTurumeke Harrington's work engages with ideas of whakapapa, materiality, and space through the construction of large-scale sculptural installations which sit at the intersection of fine art and spatial design. With her characteristically bright, geometric forms, Harrington creates environments which are both playful and provocative.
PromptsConsider the works in this exhibition as experiments in portraiture. In their decades-long practices, Lubaina Himid and Michael Parekōwhai have scrutinised their respective socio-political contexts to explore the possibilities of identification and misrecognition. In their wide-ranging work, both artists have grappled with identity and how the languages of visual art can play an essential role in enlarging societal conversation on participation and representation.
He waka eke noa I We're all in this togetherImage: NEPHI TUPAEA,Papakāinga,2024,acrylic on canvas
Te Ao Hau 3 East StreetImage: Michael Parekōwhai, Te Ao Hau, 2022 Photograph: Mim Stirling
Oro AtuaOro Atua: Healing hearts and minds through the power of taonga pūoro
Thursday 13th February 10.30 am - 12pm
Thursday 20th February 6pm - 8pm
Thursday 13th March 10.30 am - 12pm
Thursday 27th March 6pm - 8pm
Toi MāoriWe’re so excited to bring you Toi Māori, a powerful celebration of contemporary Māori art featuring 11 incredible artists from across Aotearoa. Their works share stories, challenge perspectives, and honour traditions in a modern world.
Mataaho Collective This new large-scale work on the Gallery’s Big Wall is led by the ancestral narratives of Tokohurunuku, Tokohururangi, Tokohurumawake and Tokohuruatea, the four winds, or the pillars of the sky. Inspired by the dynamic visual language of hukahuka whakarākei, the adornments of customary kākahu, this installation is being developed as part of the Dunedin Public Art Gallery Aotearoa Visiting Artist programme, supported by Creative New Zealand Toi Aotearoa.
Whenua Whatu: Panel TalkSpeaking on the establishment of Māori Clay Artist Collective Ngā Kaihanga Uku and its ongoing influence, are panelists Baye Riddell, Tracy Keith and Paerau Corneal. In a discussion led by Dowse Director Karl Chitham, our panelists will give insight into their own practices, as well as touching on the history of contemporary Māori clay arts.
Modern Women: Flight of TimeModern Women: Flight of Time highlights the leading role women artists have played in shaping the development of modern art in Aotearoa New Zealand through seizing control of their own representation.
Spanning a period of roughly 50 years, from 1920 to 1970, the exhibition mixes paintings, prints, sculptures, and textiles from public and private collections across Aotearoa New Zealand, to reveal new connections between artists, along with previously hidden themes, while revelling in the theatre of modern art.
He Kapuka Oneone – A Handful of SoilExploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
This expansive and unmissable exhibition explores the fundamental role whenua plays in the visual language and identity of Aotearoa. Acknowledging Māori as takata whenua, the first peoples to call this land home, themes of kaitiakitaka, colonisation, environmentalism, land use, migration, identity and belonging are considered through collection works, new acquisitions and exciting commissions.
Toi KoruToi Koru presents the first major survey exhibition of paintings by the Māori master of colour and kōwhaiwhai, Dr Sandy Adsett.Featuring paintings created over six decades, Toi Koru tracks the trajectory of Adsett’s painting practice from the late 1960s to today. The exhibition features artworks from major public collections, including the National Museum of New Zealand Te Papa Tongarewa, as well as a new series of paintings created especially for the exhibition.
Developed and toured by Pātaka Art + Museum.
RangiruaRangirua presents two takes on the two-person exhibition. The show features two artist pairings, bringing together works by Neke Moa and Rowan Panther, as well as Gabrielle Amodeo and Martin Thompson
Taku HoeThe Festival of Pacific Arts and Culture (FestPAC) is the premier Indigenous arts and culture event in Te Moana Nui a Kiwa. The festival brings together over 2,500 artists and practitioners, representing 28 countries and territories from the Pacific.
In June 2024, a delegation from Aotearoa New Zealand participated in the 13th FestPAC in Honolulu, Hawai‘i. Together, the artists presented the exhibition Taku Hoe, using the theme of voyaging to celebrate connections between people across Te Moana Nui a Kiwa (the Pacific Ocean). Pātaka is pleased to re-present a selection of work from Taku Hoe back in Aotearoa, where the ongoing connections between Aotearoa and our region are reaffirmed and celebrated.
Whenua Whatu: Māori Ceramics from The Dowse CollectionThis exhibition highlights a selection of uku (clay) works in the Dowse collection by nine Māori artists; Paerau Corneal, Davina Duke, Stevei Houkāmau, Tracy Keith, Manos Nathan, Hana Rakena, Baye Riddell, Aaron Scythe, and Wi Taepa.
The title Whenua Whatu describes the weaving together of connections and whakapapa (lineage) that is such an integral element of toi Māori (Māori arts). From its grounding as a movement in the mid-1980s with the establishment of Ngā Kaihanga Uku - Māori Clay Artist Collective, uku practice has continued to grow and evolve over the intervening decades reflecting the changing social, cultural and political environment of Aotearoa.
Nō Konei | From HereThis generous opening programme features over 200 artworks, spanning four centuries of European and New Zealand art history. Displayed across the breadth of the gallery’s newly expanded exhibition spaces, works will range from traditional gilt-framed paintings to contemporary practice in a variety of media.
Nō Konei | From Here includes pieces that reflect the breadth of the diverse and nationally significant Collection of Te Whare o Rehua Sarjeant Gallery, alongside newly commissioned works by artists with a strong connection to the region. 105 years since the gallery first opened and, after a ten year hiatus from operation at Pukenamu Queen’s Park.
Portage Ceramic Awards 2024The Portage Ceramic Awards is Aotearoa’s best-known annual survey of contemporary ceramics. The exhibition of finalist works provides a vital platform for showcasing the diversity of contemporary clay practices in this country.
He Pānui: Te Ara HihikoOperating at the intersections of art, design, architecture and craft, Te Ara Hihiko “the creative pathway” is the work of Jacob Scott (Ngāti Raukawa, Te Arawa, Ngāti Kahungunu, Te Āti Awa) and Jason Kendrick. This exhibition explores knowledge, past practices, and ways of doing things, to solve problems and find answers activating the creative spirit.
📸Te Ara Hihiko Projects, Tuakana - Teina, 2024. Photo: Courtesy of the artists.
The 11th Asia Pacific Triennial of Contemporary ArtSeventy artists, collectives and projects from more than 30 countries will feature in the eleventh chapter of the flagship Queensland Art Gallery | Gallery of Modern Art (QAGOMA) exhibition series, the Asia Pacific Triennial of Contemporary Art.
Bringing compelling new art to Brisbane, the Triennial is a gateway to the rapidly evolving artistic expression of Australia, Asia and the Pacific. Alongside artists and makers whose work has not been previously seen in Australia are a raft of new co-curated projects investigating artforms and cultural contexts rarely encountered outside their home localities.
Wharenui Harikoa Made from 5000 balls of brightly-coloured yarn and crotcheted by hand, this full size wharenui (Māori meeting house) has been wowing audiences across Aotearoa. Now Christchurch audiences can experience this unique fusion of traditional whakairo (carving) patterns and neon wool.
Artists Lissy and Rudi Robinson-Cole spent three years making Wharenui Harikoa, which translates to ‘House of Joy’. The monumental task of creating this neon-coloured wharenui began with a simple crochet hook and a clutch of eye-catching yarn.
For Lissy and Rudi it is more than just an art installation – it's a manifestation of their dreams, identity, and the love they have for each other and their people.
“This project is a tribute to our tūpuna (ancestors), a celebration of our culture, and a testament to the healing power of art.
“The wharenui embodies our vision of manifesting intergenerational healing and deeply felt joy.
“We aim to connect cultures, heal hearts, and spread joy – one loop, one stitch, one community at a time.”
Toka TūToka Tū, a person of strength in times of adversity. The artists whose works adorn the walls of Wairau Māori Art Gallery have been at the forefront of moulding a new aesthetic that integrates the deep visual traditions of Te Ao Māori with a colour palette of mediums and current issues and narratives that are descriptive of our contemporary world.
They have pushed boundaries and navigated challenges from the mainstream artworld and traversed new ground from traditionalist Māori artforms that bind their mahi to the whenua to illustrate a rich cultural landscape that is Aotearoa.Ngā iwi o te Taitokerau are transient navigators, descended from explorers and fierce home people who extend manaakitanga with open arms to those who enter our spaces.
Image : Alex Nathan, 2000, Silver
The Charge That Binds The Charge That Binds presents recent artworks by Australian and international artists, alongside several key new commissions, traversing a broad range of mediums including painting, sculpture, moving image, sound and choreography. This lively assembly of practices celebrates and cultivates interdependency and reciprocity across difference in both a poetic and pragmatic register.
Turumeke HarringtonTurumeke Harrington's work engages with ideas of whakapapa, materiality, and space through the construction of large-scale sculptural installations which sit at the intersection of fine art and spatial design. With her characteristically bright, geometric forms, Harrington creates environments which are both playful and provocative.
PromptsConsider the works in this exhibition as experiments in portraiture. In their decades-long practices, Lubaina Himid and Michael Parekōwhai have scrutinised their respective socio-political contexts to explore the possibilities of identification and misrecognition. In their wide-ranging work, both artists have grappled with identity and how the languages of visual art can play an essential role in enlarging societal conversation on participation and representation.
He waka eke noa I We're all in this togetherImage: NEPHI TUPAEA,Papakāinga,2024,acrylic on canvas
Te Ao Hau 3 East StreetImage: Michael Parekōwhai, Te Ao Hau, 2022 Photograph: Mim Stirling
Oro AtuaOro Atua: Healing hearts and minds through the power of taonga pūoro
Thursday 13th February 10.30 am - 12pm
Thursday 20th February 6pm - 8pm
Thursday 13th March 10.30 am - 12pm
Thursday 27th March 6pm - 8pm
Toi MāoriWe’re so excited to bring you Toi Māori, a powerful celebration of contemporary Māori art featuring 11 incredible artists from across Aotearoa. Their works share stories, challenge perspectives, and honour traditions in a modern world.
Mataaho Collective This new large-scale work on the Gallery’s Big Wall is led by the ancestral narratives of Tokohurunuku, Tokohururangi, Tokohurumawake and Tokohuruatea, the four winds, or the pillars of the sky. Inspired by the dynamic visual language of hukahuka whakarākei, the adornments of customary kākahu, this installation is being developed as part of the Dunedin Public Art Gallery Aotearoa Visiting Artist programme, supported by Creative New Zealand Toi Aotearoa.
Whenua Whatu: Panel TalkSpeaking on the establishment of Māori Clay Artist Collective Ngā Kaihanga Uku and its ongoing influence, are panelists Baye Riddell, Tracy Keith and Paerau Corneal. In a discussion led by Dowse Director Karl Chitham, our panelists will give insight into their own practices, as well as touching on the history of contemporary Māori clay arts.
Modern Women: Flight of TimeModern Women: Flight of Time highlights the leading role women artists have played in shaping the development of modern art in Aotearoa New Zealand through seizing control of their own representation.
Spanning a period of roughly 50 years, from 1920 to 1970, the exhibition mixes paintings, prints, sculptures, and textiles from public and private collections across Aotearoa New Zealand, to reveal new connections between artists, along with previously hidden themes, while revelling in the theatre of modern art.
He Kapuka Oneone – A Handful of SoilExploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
This expansive and unmissable exhibition explores the fundamental role whenua plays in the visual language and identity of Aotearoa. Acknowledging Māori as takata whenua, the first peoples to call this land home, themes of kaitiakitaka, colonisation, environmentalism, land use, migration, identity and belonging are considered through collection works, new acquisitions and exciting commissions.
Toi KoruToi Koru presents the first major survey exhibition of paintings by the Māori master of colour and kōwhaiwhai, Dr Sandy Adsett.Featuring paintings created over six decades, Toi Koru tracks the trajectory of Adsett’s painting practice from the late 1960s to today. The exhibition features artworks from major public collections, including the National Museum of New Zealand Te Papa Tongarewa, as well as a new series of paintings created especially for the exhibition.
Developed and toured by Pātaka Art + Museum.
RangiruaRangirua presents two takes on the two-person exhibition. The show features two artist pairings, bringing together works by Neke Moa and Rowan Panther, as well as Gabrielle Amodeo and Martin Thompson
Taku HoeThe Festival of Pacific Arts and Culture (FestPAC) is the premier Indigenous arts and culture event in Te Moana Nui a Kiwa. The festival brings together over 2,500 artists and practitioners, representing 28 countries and territories from the Pacific.
In June 2024, a delegation from Aotearoa New Zealand participated in the 13th FestPAC in Honolulu, Hawai‘i. Together, the artists presented the exhibition Taku Hoe, using the theme of voyaging to celebrate connections between people across Te Moana Nui a Kiwa (the Pacific Ocean). Pātaka is pleased to re-present a selection of work from Taku Hoe back in Aotearoa, where the ongoing connections between Aotearoa and our region are reaffirmed and celebrated.
Whenua Whatu: Māori Ceramics from The Dowse CollectionThis exhibition highlights a selection of uku (clay) works in the Dowse collection by nine Māori artists; Paerau Corneal, Davina Duke, Stevei Houkāmau, Tracy Keith, Manos Nathan, Hana Rakena, Baye Riddell, Aaron Scythe, and Wi Taepa.
The title Whenua Whatu describes the weaving together of connections and whakapapa (lineage) that is such an integral element of toi Māori (Māori arts). From its grounding as a movement in the mid-1980s with the establishment of Ngā Kaihanga Uku - Māori Clay Artist Collective, uku practice has continued to grow and evolve over the intervening decades reflecting the changing social, cultural and political environment of Aotearoa.
Nō Konei | From HereThis generous opening programme features over 200 artworks, spanning four centuries of European and New Zealand art history. Displayed across the breadth of the gallery’s newly expanded exhibition spaces, works will range from traditional gilt-framed paintings to contemporary practice in a variety of media.
Nō Konei | From Here includes pieces that reflect the breadth of the diverse and nationally significant Collection of Te Whare o Rehua Sarjeant Gallery, alongside newly commissioned works by artists with a strong connection to the region. 105 years since the gallery first opened and, after a ten year hiatus from operation at Pukenamu Queen’s Park.
Portage Ceramic Awards 2024The Portage Ceramic Awards is Aotearoa’s best-known annual survey of contemporary ceramics. The exhibition of finalist works provides a vital platform for showcasing the diversity of contemporary clay practices in this country.
He Pānui: Te Ara HihikoOperating at the intersections of art, design, architecture and craft, Te Ara Hihiko “the creative pathway” is the work of Jacob Scott (Ngāti Raukawa, Te Arawa, Ngāti Kahungunu, Te Āti Awa) and Jason Kendrick. This exhibition explores knowledge, past practices, and ways of doing things, to solve problems and find answers activating the creative spirit.
📸Te Ara Hihiko Projects, Tuakana - Teina, 2024. Photo: Courtesy of the artists.
The 11th Asia Pacific Triennial of Contemporary ArtSeventy artists, collectives and projects from more than 30 countries will feature in the eleventh chapter of the flagship Queensland Art Gallery | Gallery of Modern Art (QAGOMA) exhibition series, the Asia Pacific Triennial of Contemporary Art.
Bringing compelling new art to Brisbane, the Triennial is a gateway to the rapidly evolving artistic expression of Australia, Asia and the Pacific. Alongside artists and makers whose work has not been previously seen in Australia are a raft of new co-curated projects investigating artforms and cultural contexts rarely encountered outside their home localities.
Wharenui Harikoa Made from 5000 balls of brightly-coloured yarn and crotcheted by hand, this full size wharenui (Māori meeting house) has been wowing audiences across Aotearoa. Now Christchurch audiences can experience this unique fusion of traditional whakairo (carving) patterns and neon wool.
Artists Lissy and Rudi Robinson-Cole spent three years making Wharenui Harikoa, which translates to ‘House of Joy’. The monumental task of creating this neon-coloured wharenui began with a simple crochet hook and a clutch of eye-catching yarn.
For Lissy and Rudi it is more than just an art installation – it's a manifestation of their dreams, identity, and the love they have for each other and their people.
“This project is a tribute to our tūpuna (ancestors), a celebration of our culture, and a testament to the healing power of art.
“The wharenui embodies our vision of manifesting intergenerational healing and deeply felt joy.
“We aim to connect cultures, heal hearts, and spread joy – one loop, one stitch, one community at a time.”
Toka TūToka Tū, a person of strength in times of adversity. The artists whose works adorn the walls of Wairau Māori Art Gallery have been at the forefront of moulding a new aesthetic that integrates the deep visual traditions of Te Ao Māori with a colour palette of mediums and current issues and narratives that are descriptive of our contemporary world.
They have pushed boundaries and navigated challenges from the mainstream artworld and traversed new ground from traditionalist Māori artforms that bind their mahi to the whenua to illustrate a rich cultural landscape that is Aotearoa.Ngā iwi o te Taitokerau are transient navigators, descended from explorers and fierce home people who extend manaakitanga with open arms to those who enter our spaces.
Image : Alex Nathan, 2000, Silver
The Charge That Binds The Charge That Binds presents recent artworks by Australian and international artists, alongside several key new commissions, traversing a broad range of mediums including painting, sculpture, moving image, sound and choreography. This lively assembly of practices celebrates and cultivates interdependency and reciprocity across difference in both a poetic and pragmatic register.
Turumeke HarringtonTurumeke Harrington's work engages with ideas of whakapapa, materiality, and space through the construction of large-scale sculptural installations which sit at the intersection of fine art and spatial design. With her characteristically bright, geometric forms, Harrington creates environments which are both playful and provocative.
PromptsConsider the works in this exhibition as experiments in portraiture. In their decades-long practices, Lubaina Himid and Michael Parekōwhai have scrutinised their respective socio-political contexts to explore the possibilities of identification and misrecognition. In their wide-ranging work, both artists have grappled with identity and how the languages of visual art can play an essential role in enlarging societal conversation on participation and representation.
He waka eke noa I We're all in this togetherImage: NEPHI TUPAEA,Papakāinga,2024,acrylic on canvas
Te Ao Hau 3 East StreetImage: Michael Parekōwhai, Te Ao Hau, 2022 Photograph: Mim Stirling
Oro AtuaOro Atua: Healing hearts and minds through the power of taonga pūoro
Thursday 13th February 10.30 am - 12pm
Thursday 20th February 6pm - 8pm
Thursday 13th March 10.30 am - 12pm
Thursday 27th March 6pm - 8pm
Toi MāoriWe’re so excited to bring you Toi Māori, a powerful celebration of contemporary Māori art featuring 11 incredible artists from across Aotearoa. Their works share stories, challenge perspectives, and honour traditions in a modern world.
Mataaho Collective This new large-scale work on the Gallery’s Big Wall is led by the ancestral narratives of Tokohurunuku, Tokohururangi, Tokohurumawake and Tokohuruatea, the four winds, or the pillars of the sky. Inspired by the dynamic visual language of hukahuka whakarākei, the adornments of customary kākahu, this installation is being developed as part of the Dunedin Public Art Gallery Aotearoa Visiting Artist programme, supported by Creative New Zealand Toi Aotearoa.
Whenua Whatu: Panel TalkSpeaking on the establishment of Māori Clay Artist Collective Ngā Kaihanga Uku and its ongoing influence, are panelists Baye Riddell, Tracy Keith and Paerau Corneal. In a discussion led by Dowse Director Karl Chitham, our panelists will give insight into their own practices, as well as touching on the history of contemporary Māori clay arts.
Join Toi Iho, empowering creative Māori expression and fostering cultural resurgence.
TOI IHO and the TOI IHO logo are taonga and trade marks of Toi Iho Charitable Trust. Toi Iho Charitable Trust is the kaitiaki of the taonga and owner of the trade marks. All use of these taonga and trade marks must be consistent with rules, policies, and tikanga set by Toi Iho Charitable Trust.
